Explore our collection of rights managed images of people and places of the world.

GalileoPix is a growing boutique agency specializing in rights managed stock photography images. Our goal is to provide professional picture users high quality creative and editorial imagery that stands out from the crowd. Explore our collection of rights managed images of people and places of the world. Conceptual, realistic, made with fresh eyes and unique perspectives not often found in stock photos, these images will work in a wide variety of your creative and editorial projects.

June 13, 2010

David Stock exhibits at A.M. Richard Fine Art


Dynel Coat; Abstract #2.  Both from 1972. Type 52 Polaroid film for use in 4X5 view camera back
© David Stock

Polaroid: Instant Joy! - curated by Andrew Garn

June 19 - July 31, 2010
Opening reception: June 25, 6-8pm
A.M. Richard Fine Art
328 Berry Street
Brooklyn, NY 11211

L to Bedford; J, M, Z to Marcy Ave; B61 to Driggs and South 4th street
www.amrichardfineart.com
917-570-1476

“The pictures come out like presents…”- William Wegman

When Edwin Land introduced Polaroid Instant Film in 1947, he was unaware that he would anticipate two revolutions in photography. The first was instant photography, where both photographer (and human subject) could sample their image immediately. The second was digital photography, with a different -- and less expensive -- type of instant image. Ironically, this alternative hastened the demise of Polaroid.

What is the allure and fascination of the Polaroid? Beyond the sheer magic of seeing an image appear from nothingness, the prints could be remarkably rich, vibrant and resolute, rivaling and sometimes surpassing the finest silver or color prints. The Polaroid print was a living object: you shook it in the air or held it in the warmth of your armpit to accelerate development. With the sharing of the image and the subsequent marvel, taking a picture became an interactive experience.

June 10, 2010

Steve Giovinco Exhibits at Lohin Geduld Gallery

"Portrayal," curated by Marianne Gagnier and Ro Lohin
June 10 through July 10
Opening reception Saturday, June 12 from 5-7
531 West 25th Street
New York, NY

"Portrayal – from the Latin verb protrahere, to draw forward (pro- forward + trahere- to draw)

To make a portrait is to engage in a close and risky relationship with the subject. The process, bringing forward knowledge, can collapse social norms of comfortable distance. The portrayal of a living subject allows for limitless surprise and for the unknown to appear even in a beloved face and form.

The artists participating in “Portayal” have captured a connection between artist and subject. This relation is real, but cannot be pinned on likeness or mood. It is the opposite of anonymity. Arising from the complexity of a two-way encounter, the work does not partake of narrative or easily identified emotion.

Empathy, frailties and strengths, and individuality are made concrete by these portraits. But the telling mark or method of this accomplishment cannot be ascertained. Mysterious as the intimate can be, these portraits are an antidote to our daily bath in data, information without intelligence. They draw forth questions."  - Marianne Gagnier June 2010

June 3, 2010

Steve Giovinco Exhibits at Jim Kemper Fine Art

ABOUT TIME
June 3-July 16th, 2010
Opening Reception: June 3, 6-8pm


With Eduardo del Valle and Mirta Gòmez, Gianfranco Gorgoni, Tanja Alexia Hollander, Chris Becker

Jim Kempner Fine Art
501 West 23 Street New York, NY 10011
(212) 206-6872
- dru@jimkempner.com - www.jimkempnerfineart.com

Steve Giovinco Joins GalileoPix

STEVE GIOVINCO earned his MFA in photography from Yale University in 1989, and a BA in history from Washington University in 1982.

His photographs have been exhibited in solo museum shows, including those at: California Museum of Photography; the Butler Institute of American Art; Fotogalerie Wien, Vienna; the VELAN Center, Torino, Italy; and the University of the Arts, Philadelphia.

He has had solo exhibitions at Jim Kempner Fine Art and Dru Arstark Fine Art, both in New York. Group exhibitions include: the Brooklyn Museum; the Contemporary Art Center, Cincinnati; the Winnipeg Art Gallery, with Jeff Wall, Sam Taylor Wood; Sadler’s Wells, London, with Thomas Joshua Cooper and Richard Billingham; Exit Art, New York; and White Columns, curated by Gregory Crewdson. Besides more than a dozen group gallery shows in New York, other gallery shows have been in Spain, Chicago, and Miami. He received Yaddo artist residency fellowships in 2001 and 2002.

Museums collecting his work have included: The Museum of Fine Arts, Houston; The Brooklyn Museum of Art; Yale University Museum of Art; The Butler Institute of Art; The California Museum of Photography; the Winnipeg Art Gallery; and The Lowe Art Museum, Miami, among others.

Reviews have been published in Art in America, Tema Celeste and Zoom magazine and his work has appeared in the New York Times. He has self published three books, and his work as been published in many catalogues, most recently in 2009 for the Lowe Art Museum, Miami. He has also participated in many art fairs, and his photographs have been auctioned at Sotheby’s and elsewhere.

VIEW IMAGES BY STEVE GIOVINCO


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